Paul Nash: An Appraisal
Yesterday I went to see the enormous Paul Nash survey show at Tate Britain. I have liked some of Nash's work when I've seen it occasionally over the years. But seeing all of his work together in such abundance did little to assure me of his major status. His artistic shortcomings were all suddenly revealed - such as his over-reliance on certain colours and colour systems across his entire career, or his preference for outlining shapes in black - which obviously stemmed from his earlier training as an illustrator (some of his student illustrations were on display, and they reveal him to have been of average talent in this area). His experiences during the war clearly gave him the subject which defines his work in British memory, and here there are plenty of crashed German fighter planes; soldiers caught in the horrible trenches of No Man's Land; and shell-blasted hell-scapes of shattered trees and bomb craters to satisfy the most sentimenta...